Reading the only known Photograph of Julian Carlton

© Mark Hertzberg 2020

Look at the photo without reading the caption below it. It is a portrait of a young African-American man, seemingly deep in thought. He merited having his photo on the front page of the Dodgeville Chronicle on August 21, 1914, not a small accomplishment for an African-American man 106 years ago.

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Not a small accomplishment until one reads the caption below it: “Julian Carlton, Slayer of Seven.” This is not the photo of say, a self-effacing young man who the townspeople are rightfully proud of. It is a portrait of a man who has committed a monstrous act: he butchered seven people, including children, as he lay waste to Frank Lloyd Wright’s beloved home, Taliesin. It is surprising that the pejorative “Negro” as in “Negro Slayer of Seven” is missing from the photo caption, although he is described as “a negro chef” in the story, just above.

Various motives has been ascribed to his heinous act. Had he just been fired from his employ? Was he seeking revenge for racist statements leveled at him? We will never know, for he swallowed hydrochloric acid before he was found hiding in a boiler. He died 53 days later, before he could come to trial. He never revealed his motive.

I am a photojournalist, and I cannot look at the photo without thinking about the man – certainly not a woman, not in 1914 – who took the photo. I wonder about the circumstances under which it was taken. Carlton is seated in a high back chair. It looks like he is wearing a striped shirt: is it a jail uniform? We see someone over his right shoulder looking at him (or the photographer). This makes me think that Carlton is seated in the front of a courtroom in Dodgeville, the Iowa County seat, hearing the charges against him: seven murder charges, two of assault with intent to kill, and one of arson. Perhaps the courtroom was filled to capacity, and the crowd spilled into the hallway that summer day. Were there large ceiling fans whirring, were using handheld cardboard fans?

I wonder about what the photographer thought as he snapped the photo. Courtroom photography was my specialty in my 37-year newspaper career. I came face-to-face with probably more than 100 men and women accused of crimes serious enough to merit, like Carlton, a photo on the front page of the local newspaper. I photographed them at some of the most vulnerable times in their life. I knew some of them. It was not my place to speak to them. They generally ignored me. Only a handful tried to hide their face from me, usually unsuccessfully. One flipped me off. Another, a former co-worker, called me a “vulture.” I ignored him. His father told him to be quiet.

Who assigned the photograph of Carlton? What did the photographer think as he pressed the shutter? Who was he: Was he the editor of the newspaper? Was he an experienced photographer for whom this was another routine photo assignment, or was it a nervous cub reporter given an important assignment? Was he the owner of a local photo studio pressed into service for the newspaper, or was he a high school student known to own a camera and easily available on an August day? How many sheets of film or frames of roll film were exposed? Was this a one-shot-and-we’re-done photo, or was this the best of the lot? Did he realize the historic importance of this single image, that it would be important even a century later? Did Carlton try to evade the lens at any point? We will likely never know.

Photographic technology was quite different in 1914 than today. Many indoor photos were two dimensional, lit by the harsh light of flash powder (flash bulbs had yet to be invented). It is somewhat unusual to see an indoor photo from the time taken by natural light. The left side of Carlton’s face is lit, probably by window light. The films of the day were less suited for taking indoor pictures by natural light than they are today. The photographer who guessed what camera settings to use and the person who printed the photograph were skilled: the side of Carlton’s face is not washed out, and we have good detail in the shadow side, the front of his visage. We can read the face of the spectator over his shoulder.

A few weeks ago I was just a couple of feet away from a woman accused of a horrific murder in 1999, and then dumping her victim’s corpse on a rural road, as she was made her initial court appearance. We first encountered each other in the jail hallway. She looked at me, but did not react. We did not communicate. I did my job, to record this long-time fugitive, and went home to edit and send the pictures to my editors. It was over with – the waiting and the photography – in about a half hour. Is that how it was for a photographer for the Dodgeville Chronicle 106 years ago?

(Note: I wondered if the photo was originally taken for the larger Wisconsin State Journal in Madison, or possibly shared between the two newspapers, no matter who assigned it. After a search of the grainy State Journal archives it seems that the photo appeared only in the Dodgeville Chronicle. It is perhaps surprising that the State Journal did not use a photo: its editor and president, Richard Lloyd Jones, was Wright’s first cousin. Jones, a virulent racist, met Wright at the train station in Spring Green when Wright and Edwin Cheney arrived from Chicago after learning of the massacre at Taliesin. The photograph, a meticulously researched biography of Carlton, and Jones’s story and connection to the Tulsa race massacre of 1921 are in Paul Hendrickson’s 2019 book about Wright, Plagued by Fire.)

Ron McCrea, 1943 – 2019

Photos (c) Mark Hertzberg 2019

2015 Wright Birthday Taliesin 038.jpgRon could not resist playing the piano in the living room at Taliesin each year when he helped celebrate Wright’s birthday in early June. This was in 2015.

My friend Ron McCrea died of cancer this afternoon – December 14, 2019. He was a great journalist – my profession – but I got to know him as a luminary in the world of Frank Lloyd Wright. Ron, the longtime survivor of a liver transplant, was in hospice care near his home in Madison. In late November he told his friends that he had decided to forego any further chemotherapy because of the low expectation of success. His goal was to finish his latest book about Wright in the 10 – 12 months he had been told was his life expectancy. The book would have been published by the Wisconsin Historical Society Press, publisher of his landmark 2012 study of Wright’s beloved home and his life with Mamah Borthwick, “Building Taliesin: Frank Lloyd Wright’s Home of Love and Loss.”

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2008 at Taliesin garden.JPGI was honored that Ron included a photo I took of he and his beloved Elaine at Taliesin in 2008 in the book. I next photographed him when he presented his book in a talk at the Golden Rondelle at SC Johnson in Racine in December 2012:Ron McCrea SCJ 039.jpg

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Ron McCrea SCJ 060.jpgElaine’s son, Ben DeSmidt, center, joined us for dinner after.

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Ron returned to Racine in September 2014 to give a talk about the book at the Racine Public Library for the Wisconsin Historical Society and Racine Heritage Museum:McCrea Racine WHS 001.jpg

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Ron at the 2015 and 2016  Wright birthday celebrations at Taliesin:2015 Wright Birthday Taliesin 010.jpg

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Cindy and I returned to our car at the 2011 birthday celebration to find flowers that Ron and Elaine had left for us:

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A month ago I asked Dave Zweifel, who was Ron’s editor at the (Madison) Capital Times to summarize Ron’s career in journalism for me. A portion of Dave’s email follows:

“He had been a copy editor at the Boston Globe, I believe, when he came to Madison for grad school at the UW in the mid-60s. He secured a part-time job as a copy editor with us while in school and then after graduation decided to stay, soon becoming the “wire editor,” responsible for all the news wire content of the daily paper. He, of course, was an active member of the Newspaper Guild, which represented the newsroom of The Capital Times, and when the printers struck Madison Newspapers in 1977, he was among the Guild leaders to call for the union to honor the strike.  Within a few weeks, he helped organize the strike paper, the Press Connection, and was named its editor. The paper survived for roughly three years, but then folded. He wound up taking a job with the San Jose Mercury-News, but when Tony Earl was elected governor, he came back to Madison to serve as his press secretary. When Earl lost to Tommy four years later, Ron got a job with the Long Island edition of Newsday, editing luminaries like Jimmy Breslin.

“When Newsday folded the edition in 1995, I made it clear to Ron that we’d welcome him back in our newsroom. He accepted and I named him the city editor. He was a damn good one, but started having health problems, including cancer of the liver. Fortunately, he became the beneficiary of a transplant, recovered, and continued to work until he took retirement when we went from daily print to digital back in 2008.

“He’s a terrific journalist and extremely talented. He became a FLW enthusiast, as you know, and is currently working on a book about Wright’s women., those who made and unmade him during his lifetime.”

Ron, rest in piece, my friend.

 

Hollyhock House

Photos (c) Mark Hertzberg 2019

One of the highlights of the 2019 Frank Lloyd Wright Building Conservancy annual conference in Los Angeles in October was the privilege of having an afternoon free to roam Hollyhock House and take photographs at will. Here is how I saw Aline Barnsdall’s dream house which she disliked and ultimately gave to the City of Los Angeles:

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(I saw on Facebook that my friend Steve Sikora was also taken with the trim in the living room ceiling):

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Thank you to Ginny (Virginia) Kazor and Jeffrey Herr for their stewardship of Hollyhock House on behalf of the City of Los Angeles, and thank you to the Frank Lloyd Wright Building Conservancy for this special evening on Olive Hill.

 

 

 

Photographing Wright, redux

(c) Mark Hertzberg (2019)

Note: My photos of Minerva and Charles Montooth are the post below this one.

This is the final installment of my 2019 quest to find new photos as I visit buildings designed by Frank Lloyd Wright that are familiar to me. I visited them five times accompanying Road Scholar trips this year:

https://www.roadscholar.org/find-an-adventure/22976/architectural-masterworks-of-frank-lloyd-wright

I have posted earlier photos on the website since May. Have a look, and let me know what you think!!! The photos are in the order in which we visited these sites…not all the sites visited are represented on this post.

Wingspread, Wind Point (Racine):

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Annunciation Greek Orthodox Church in Wauwatosa:

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Jacobs 1, Madison:

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The Unitarian Meeting House, Madison:

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Wyoming Valley School, Spring Green:

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Taliesin 3:

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The original drafting studio at Taliesin:

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Midway Barns:

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Hillside Home and School:

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Michael DiPadova continues reconstruction of the Tea Circle:

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And, finally, my friends, I leave you with two more “selfies,” one at Wingspread and one at Taliesin!

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Photographing my Friend Minerva Montooth

(c) Mark Hertzberg (2019)

Olgivanna Wright could not have picked a better and more congenial assistant for 25 years than Minerva Montooth, who I am privileged to call a friend. Make that “Friend” with a Capital F. We have been privileged to know Minerva Montooth since May 2003 when her late husband Charles invited me to give my “Wright in Racine” presentation in the theater at Hillside Home and School (that was indeed a heady invitation for a burgeoning journalist-student of Wright’s work!). Minerva has kindly invited us to the annual celebration of Frank Lloyd Wright’s birthday at Taliesin every year since then.

I visit Minerva in her apartment at Taliesin whenever I am on campus helping lead Road Scholar explorations of Wright’s work in Wisconsin https://www.roadscholar.org/find-an-adventure/22976/architectural-masterworks-of-frank-lloyd-wright

Last week Minerva told me how she came to join the Wright community at Taliesin West in 1952 (gosh, I was only 18 months old!). She has a keen photographic eye. I admired the magnificent lighting of a photo of Charles, who died in December 2014, in her living room, not knowing that she was the photographer. When it was time for me to leave, I couldn’t just leave; after all my camera first had to photograph Minerva and Fifi:

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Below are some of my earlier photos of Charles and Minerva:Evening at Taliesin 2004 008.jpg

Charles on the “Birdwalk” at Taliesin, Wright birthday celebration, 2004.

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Charles at The Prairie School in Wind Point (Racine), October 2003, with plans for the addition to the athletic center. Charles designed the original school building and each subsequent addition. He worked with Floyd Hamblen on the addition.

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Minerva and Charles at the dedication of the new facility, January 2005.

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Charles accepts accolades at the dedication.

By the way, if you email Minerva or write her something on Facebook, don’t expect a reply during your normal business hours: she is a confirmed computer night owl…1 a.m. is not an unusual time stamp for her.

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Minerva at the 2016 Wright birthday celebration.

We love you, Minerva!

 

Exploring Wright with My Cameras, 9.18.19

(c) Mark Hertzberg (2019)

This is a follow-up post to the one from two days ago and several from earlier this year, as I visit Frank Lloyd Wright sites that are familiar to me with guests traveling on Road Scholar tours. I have been with four tours this year, a fifth one is scheduled for next week. One of our guests this week was from Australia:

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My challenge to myself is to try to see (i.e. photograph) these sites in new ways on each visit. Earlier this summer Taliesin Preservation was kind enough to ask me to write about my photography for their blog:

https://www.taliesinpreservation.org/behind-the-lens/

I am dedicating this post to my friend Cate Boldt, docent and educator extraordinaire at Taliesin. First you see Cate, a Master Gardener, preparing for her role as a Taliesin Garden Fairy, and then with students in Taliesin’s summer architecture camp, as students prepare for their final presentations at Hillside Theater (the practice run was at Wyoming Valley School):

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Our first stop Wednesday morning was at Jacobs 1 in Madison:

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I was taken with the glint of morning sun on the side of the house:

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I have long admired James Dennis’s red Volvo P1800 sports coupe which sits under Wright’s first carport. Wednesday I challenged myself to photograph it in the context of the house:

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Then it was on to the Unitarian Meeting House where I concentrated on the new copper roof. There is just a hint of light on the left edge of the prow in the first photo, the usual angle from which the church is photographed:

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Then it was time to play with light and shapes:

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As I shot the next few photos I longed for the days I worked for a newspaper, when I likely would have been given access inside the fence and allowed to climb up with the craftsmen restoring the landmark building:

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Our next stop was Wyoming Valley School. I have posted geometric photos in the past, but I found new lines to photograph Wednesday as Mary Pohlman told our guests about the school:

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I found a new way to show one of the many mitered windows:

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After lunch at Riverview Terrace, it was on for a Cate-led tour of Taliesin. What could I see differently? The first two photographs are reflections in windows:

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Percy Jackson (Hamblen) thinks he rules the roost (Fifi Montooth sometimes loudly challenges Percy, but she can never catches him):

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Inside the original drafting studio:

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In Mrs. Wright’s bedroom:

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Outside Mr. Wright’s bedroom:

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I struck out at Hillside Home and School, but that is okay…I can’t force pictures that don’t present themselves to me. Earlier Cate had urged me not to miss photographing Kevin Dodds (white shirt) from Taliesin Preservation and Michael DiPadova from the Frank Lloyd Wright Foundation as they rebuild the Tea Circle:

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I leave you with one more “Selfie,” my reflection in the trim of the headlight of Jim’s Volvo:

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Thank you for joining me on my photo adventures!

 

 

 

 

 

 

 

 

Exploring Wright with my cameras: 9.17.19

(c) Mark Hertzberg

I have written several posts this year about the stimulating challenge of finding new ways to photograph Frank Lloyd Wright- designed buildings on my umpteenth visit to them. This week I am helping lead my fourth Road Scholar Wright – Wisconsin discovery tour of the year. Today’s photo adventure was in the Annunciation Greek Orthodox Church in Wauwatosa, Wisconsin.

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The photos above were all taken from the same seat.

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The next two pictures were quick grab shots at Monona Terrace in Madison. They show the Wisconsin State Capitol framed by jets from the water fountain on the rooftop garden level:

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Tomorrow we are off to visit Jacobs 1, the Unitarian Meeting House, Wyoming Valley School, Taliesin, and Hillside Home and School. Will I see something new? That’s the challenge! It happened often in past visits with RS groups this spring – and I have posted those photos – but I won’t force a photo. If nothing speaks to me tomorrow, so be it; I can’t shoot something just for the sake of taking a picture.

Penwern: The Next Chapter

Contemporary photos and text © Mark Hertzberg (2019)

Frank Lloyd Wright Drawings: © 2019 Frank Lloyd Wright Foundation, Scottsdale, AZ The Frank Lloyd Wright Foundation Archives (The Museum of Modern Art | Avery Architectural & Fine Arts Library, Columbia University, New York)

2019 Reconstruction drawings © Russell J. DePietro, Architect/ DePietro Design Associates

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The gate lodge at Penwern, Frank Lloyd Wright’s Fred B. Jones estate on Delavan Lake in Wisconsin (1903) was significantly altered in the 1970s and 1980s. Among the changes were the loss of  the gate lodge greenhouse, which though commercially built, was shown on Wright’s drawings, and about half of the semi-circular boulder wall which formed the east perimeter of the gate lodge property, past the greenhouse and gate lodge water tower.

Gate Lodge 003.jpgThe greenhouse is shown at left, between the gate lodge water tower and the semi-circular boulder wall. Photo courtesy of John Hime. The two historic photos below are thought to have been taken in 1935, two years after Jones died, while the estate was still in probate. They are courtesy of Betty Schacht, whose grandparents were the caretakers of Penwern at the time.

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Canty Carport removal.jpgThe greenhouse had deteriorated significantly by the 1970 when it was replaced by a carport. The Majors had the carport removed after acquiring the gate lodge in 2001 (they had bought the rest of the estate in 1994). Photo courtesy of Bill Orkild.

Sue and John Major, stewards of Penwern since 1994, are taking another step in the restoration of the estate this fall, having commissioned Bill Orkild of Copenhagen Construction to reconstruct both the greenhouse and the wall. Orkild is working from drawings prepared by architect Russell J. DePietro of DePietro Design Associates in Delavan. DePietro was able to study Wright’s extant drawings:

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DePietro is no stranger to restoring and reconstructing Wright’s work, having worked with the Majors since their first project at Penwern, the removal of Jones’s two non-Wright (and unsightly) 1909/10 additions to the main house. He says, “I feel it’s an honor to work on a Frank Lloyd Wright restoration. I was very fortunate and I am forever thankful to the Majors for reaching out to me to help with the restoration, starting with the house and tearing off the additions to it.” DePietro has played a major role in every project at Penwern since then, including making the main house structurally sound, restoring the stable, rebuilding the boathouse from Wright’s plans in 2005 (it was destroyed in an arson fire in 1978), and in 2015 building new side porches that were in keeping with Wright’s plans for the main house.

DePietro, a native of upstate New York, and an architectural graduate of the University of Illinois, opened his office in 1985. But he was no stranger to Wright’s work. “I’ve studied most of the Master Architects’ during my career and became a Frank Lloyd Wright fan years ago at the age of 17 when my uncle took me to New York City to tour the Guggenheim Museum.  I’ve explored Taliesin in Spring Green, the Dana House in Springfield, Illinois, the Johnson Wax Headquarters in Racine, his Oak Park studio, the Oak Park, Illinois homes, Unity Temple and I’ve studied a number of
his other works over the years.  I’m planning on touring Taliesin West in Scottsdale this coming January/ February 2020.”

Architectural designer Robert Hartmann was the first to notice the significance of  half the boulder wall missing when he carefully studied Wright’s plans in 2017.  He pointed out that the lines (right, in the drawing below) echo the curves and arches that are prevalent in the main house and the boathouse.

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LR Orkild hat and Hartmann 001.jpgHartmann, left, and Orkild compare Wright’s drawings to buildings at Penwern.

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It is thought that the boulder wall was partially demolished after the property was subdivided in 1989 and a driveway was built for the new adjoining home.

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Penwern Greenhouse and Wall 8.7.19 008.jpgThe remaining original boulders (sometimes referred to as “bowlders” on Wright’s drawings, were marked and will be replaced whenever possible along the new wall structure.

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Jones was passionate about growing roses in his greenhouse but the new greenhouse will be used as an entertainment space, surrounded by roses on the outside patio. It is expected that the work will be completed by late fall.

Upcoming Penwern illustrated talks:

Tuesday August 20, 2 p.m., Geneva Lake Museum in Lake Geneva, Wisconsin

Thursday September 12, Cliff Dwellers Club, 200 S. Michigan Ave. Chicago, co-sponsored by The Cliff Dwellers, the Society of Architectural Historians, Friends of Downtown, and AIA Chicago.

Cocktails: Cash bar opens at 4:30 p.m. Free Program: Begins 6:15 p.m. Dinner: Available after the program, a la carte. Reservations for dinner are requested: reservations@cliff-chicago.org or call 312-922-8080. Discount parking is available after 4:00 at the garage located at 17 E. Adams – enter on Adams between Wabash and State.  Ask for a discount coupon at the check-in desk.

 

 

Noshing with Wright, Part 2

(c) Mark Hertzberg (2019)

Last fall we presented a story about architect and gourmet chef Steven Freeman from Manchester, New Hampshire cooking his way across the Frank Lloyd Wright landscape in Wisconsin:

https://wrightinracine.wordpress.com/2018/11/01/noshing-with-wright-cooking-3-gourmet-dinners-in-3-wright-homes-in-5-days/

Steven and his cooking knives, spatulas, etc. were at it again in May, not only with a repeat performance at Wright’s Mollica House, but also at Wright’s A.W. Gridley House in Batavia, Illinois. His menu is always developed with the stewards of the particular house – in this case Peter and Laura Frost – and locally sourced. If you are the steward of a Wright home and these photos whet your appetite, Steven is looking for opportunities to cook in your home. His guiding principal is that while he is eager to experience as many Wright homes as possible he thinks it would be inconsiderate to do so without doing something for you in return. Bon Appetit! You can contact him at: freemansteven@me.com

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Freeman Dinner Gridley House 021.jpgArchitect and prolific Wright author Tom Heinz is second from left, above.

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SC Johnson Carport

(c) Mark Hertzberg (2019)

These are photos of the carport at the SC Johnson Administration Building in Racine on July 27, 2019 when we were taking a friend from New York City on his first tour of the Frank Lloyd Wright-designed buildings:

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