Exploring Wright with My Cameras, 9.18.19

(c) Mark Hertzberg (2019)

This is a follow-up post to the one from two days ago and several from earlier this year, as I visit Frank Lloyd Wright sites that are familiar to me with guests traveling on Road Scholar tours. I have been with four tours this year, a fifth one is scheduled for next week. One of our guests this week was from Australia:

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My challenge to myself is to try to see (i.e. photograph) these sites in new ways on each visit. Earlier this summer Taliesin Preservation was kind enough to ask me to write about my photography for their blog:

https://www.taliesinpreservation.org/behind-the-lens/

I am dedicating this post to my friend Cate Boldt, docent and educator extraordinaire at Taliesin. First you see Cate, a Master Gardener, preparing for her role as a Taliesin Garden Fairy, and then with students in Taliesin’s summer architecture camp, as students prepare for their final presentations at Hillside Theater (the practice run was at Wyoming Valley School):

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Our first stop Wednesday morning was at Jacobs 1 in Madison:

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I was taken with the glint of morning sun on the side of the house:

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I have long admired James Dennis’s red Volvo P1800 sports coupe which sits under Wright’s first carport. Wednesday I challenged myself to photograph it in the context of the house:

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Then it was on to the Unitarian Meeting House where I concentrated on the new copper roof. There is just a hint of light on the left edge of the prow in the first photo, the usual angle from which the church is photographed:

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Then it was time to play with light and shapes:

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As I shot the next few photos I longed for the days I worked for a newspaper, when I likely would have been given access inside the fence and allowed to climb up with the craftsmen restoring the landmark building:

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Our next stop was Wyoming Valley School. I have posted geometric photos in the past, but I found new lines to photograph Wednesday as Mary Pohlman told our guests about the school:

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I found a new way to show one of the many mitered windows:

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After lunch at Riverview Terrace, it was on for a Cate-led tour of Taliesin. What could I see differently? The first two photographs are reflections in windows:

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Percy Jackson (Hamblen) thinks he rules the roost (Fifi Montooth sometimes loudly challenges Percy, but she can never catches him):

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Inside the original drafting studio:

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In Mrs. Wright’s bedroom:

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Outside Mr. Wright’s bedroom:

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I struck out at Hillside Home and School, but that is okay…I can’t force pictures that don’t present themselves to me. Earlier Cate had urged me not to miss photographing Kevin Dodds (white shirt) from Taliesin Preservation and Michael DiPadova from the Frank Lloyd Wright Foundation as they rebuild the Tea Circle:

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I leave you with one more “Selfie,” my reflection in the trim of the headlight of Jim’s Volvo:

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Thank you for joining me on my photo adventures!

 

 

 

 

 

 

 

 

Photographing Familiar Wright Sites, Part 2

Photos (c) Mark Hertzberg (2019)

A few weeks ago I posted photos that showed new things I saw at Frank Lloyd Wright sites that I had visited “umpteen” times. I was helping lead a Road Scholar tour and had told the guests that one of the joys of Frank Lloyd Wright’s architecture is the challenge of seeing his work in new ways on return visits. For me that means I have a personal challenge to see new things to photograph. On my visit to Taliesin last Friday – just two weeks after my last visit with a Road Scholar group – I saw many new things. One cannot help but be on the lookout for new things with Cate Boldt as docent (and that is not to diminish her colleagues’ skills, but, well, Cate is Cate!).

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I cannot count the number of times I have been in the living room at Taliesin and seen the piano. This was the first time I saw it this way and thought about Wright and his apprentices sitting next to the windows and gazing out at the “Valley of the Almighty Joneses” (the late Edgar Tafel, one of the first Taliesin Fellowship apprentices, often told of Wright directing him, “Edgarrrrr, play some Bach!”). Hats off to Cate for sending me into the small kitchen adjacent to the living room to look for our friend Minerva Montooth!

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How many times have I seen the old drafting tables in the original drafting room? This is the first time I have seen photographs in them:

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This is what Wright called “the belvidere,” framed by the wisteria plants outside his bedroom:

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I led my last post with a view of the farmland framed by a window near the bird walk. I saw more things framed by windows this visit. Two photos look abstract because I shot them as my camera’s autofocus was hunting for a focus spot:

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And, seen from the entrance to Hillside Theatre:

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Sometimes the architecture itself frames our view:

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Sometimes the red shuttle bus can add a point of interest, instead of being an element to crop out of the photo:

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The next two photos are from the Jacobs 1 House and the Unitarian Meeting House in Madison:

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While I have your attention, on June 14 Nick Hayes, steward of the Elizabeth Murphy American System-Built house in Shorewood (Milwaukee) will present a program about the house and the ASB homes in Milwaukee. I encourage you to hear his presentation:

https://uwm.edu/sce/courses/how-frank-lloyd-wright-built-an-artistic-legacy-from-a-tiny-house/