Rainy Day Post #3 – A Wright Potpourri

Photos (c) Mark Hertzberg (2020)

I have promised you one more “rainy day post,” cleaning up pictures that have been waiting on my desktop for the right context to post them in. This is a smattering of photos of Frank Lloyd Wright sites I have visited in one context or another since July 2018. While I shoot literal photos of Wright buildings (“head shots” we called them in the newsroom), I also look for photos of details of Wright’s designs. I am generally not sharing interior photos of private homes. I try to avoid looking at other photographers’ interpretations of Wright buildings before I visit them so that I see the structures through my own eye and lens, rather than possibly copy another photographer’s vision.

The photos are in chronological order, beginning with a wonderful trip to the Detroit area that July two years ago. We were with our good friends Bob and Jeanne Maushammer from Virginia. Jeanne’s exposure to Wright began when she was a teenager, hired to babysit at the Thomas P. Hardy House in Racine for Schuyler and Peterkin Seward, stewards of the house between 1957 – 1963. The Maushammers dutifully chronicle their Wright adventures in a well worn copy of William Allin Storrer’s The Architecture of Frank Lloyd Wright. I will copy and paste Jeanne’s recollections of the Hardy House from my 2006 book about the house at the end of this blog post.

Our first stop was at the Affleck House in Bloomfield Hills, where Dale Gyure graciously gave us a private tour:

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We were fortunate to next get a private tour of the Melvin Smith House. The light was not as subtle as the architecture in the early afternoon:

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Then we were off to the Turkel House, lovingly restored by our good friends Norm Silk and Dale Morgan. Jeanne has wonderful stories of having seen the then-distressed house ca. 2004 right after a questionable tenant had been evicted. We had bid on a dinner at the house, to benefit the Frank Lloyd Wright Building Conservancy. Norm went above and beyond shopping for us in a Middle Eastern market, and we had a lovely meal in the garden. The Maushammers, Cindy (Hertzberg), and Norm:

Turkel House Dinner 010.jpgWe planned to stay only a couple of hours and not overstay our welcome, but we were like family enjoying the house in the living room after dinner until past 11 p.m.! The light was harsh when we arrived at 5 p.m., and I wondered how it would change through the evening:

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Our next adventure was when Bob and Jeanne treated us to a stay at the Palmer House in Ann Arbor:

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I was then on tour in familiar territory in Wisconsin, helping lead tours for Road Scholar, first in Racine at SC Johnson and at Wingspread. I have visited and photographed these wonderful spaces umpteen times, and always look for a fresh way to see them:

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I climbed these stairs at Wingspread countless times before seeing this photo:

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I was then taken, again, by the fixtures at the Annunication Greek Orthodox Church in Wauwatosa (suburban Milwaukee):

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After touring Racine and Milwaukee, we take our Road Scholar guests to Madison and Spring Green. First, a detail of the ceiling of Jacobs 1:

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Then, a light well in Anthony Puttnam’s interpretation of Monona Terrace:

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The trip culminates at Taliesin – of course – after seeing the Unitarian Meeting House in Madison and Wyoming Valley School, with lunch at Riverview Terrace. Our introduction to Taliesin is a pause at the dam:

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I finish with Jeanne’s recollection of babysitting at the Hardy House and a “selfie” there:

(From “Frank Lloyd Wright’s Thomas P. Hardy House,” written and photographed by Mark Hertzberg, Pomegranate: 2006):

Jeanne (Weins) Maushammer, who baby-sat for the Sewards, recalls growing up nearby. “The house was well-known to everyone in the neighborhood.  People would go to the 14th Street public beach there and see the house just a short distance away.  It did not look like a private residence.  Visitors from outside the area – even across town – would see two openings that could easily be mistaken for bath house entrances, and try to go in to change their clothes.

“Sometimes when you were driving around with out-of-town folks, they would ask ‘What is that?’  They did not recognize it as a house, because it was so different from the other homes around it, and because it was next to the beach.  Neighbors knew what it really was.  The Johnson Wax complex was down the street from us, so the Hardy House seemed to be appropriate.  My folks often told me of their witnessing the construction of the Administration Building and of seeing Frank Lloyd Wright.  The Johnson buildings were understood and accepted by visitors, but not the ‘beach house.’

“My friends and I used to go down to the beach all the time.  We could not get close enough to the property to get a good look at it.  We always had to look through the trees.  We could not see how it blended into the hill side.  That added to the mystery of it.  From the street, all that people could see was just that box.

“I knew it was a Frank Lloyd Wright house before I first went inside.  What I did not realize was how he proportioned houses to his small frame.  I remember thinking when inside for the first time:  ‘I am 5’4” but wow, these doorways are low.’  It was dark and raining that particular day, so I did not get to appreciate the house’s real beauty.  After I had been there several times and had a chance to explore it, to stand in that living room and on the balcony, and to take in the view, I realized it was incredible.

“My husband has never seen the inside of the house, except in photos, but in our wildest dreams we would like to buy it and come back to Racine.”

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Photographing Wright, redux

(c) Mark Hertzberg (2019)

Note: My photos of Minerva and Charles Montooth are the post below this one.

This is the final installment of my 2019 quest to find new photos as I visit buildings designed by Frank Lloyd Wright that are familiar to me. I visited them five times accompanying Road Scholar trips this year:

https://www.roadscholar.org/find-an-adventure/22976/architectural-masterworks-of-frank-lloyd-wright

I have posted earlier photos on the website since May. Have a look, and let me know what you think!!! The photos are in the order in which we visited these sites…not all the sites visited are represented on this post.

Wingspread, Wind Point (Racine):

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Annunciation Greek Orthodox Church in Wauwatosa:

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Jacobs 1, Madison:

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The Unitarian Meeting House, Madison:

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Wyoming Valley School, Spring Green:

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Taliesin 3:

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The original drafting studio at Taliesin:

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Midway Barns:

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Hillside Home and School:

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Michael DiPadova continues reconstruction of the Tea Circle:

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And, finally, my friends, I leave you with two more “selfies,” one at Wingspread and one at Taliesin!

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Exploring Wright with My Cameras, 9.18.19

(c) Mark Hertzberg (2019)

This is a follow-up post to the one from two days ago and several from earlier this year, as I visit Frank Lloyd Wright sites that are familiar to me with guests traveling on Road Scholar tours. I have been with four tours this year, a fifth one is scheduled for next week. One of our guests this week was from Australia:

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My challenge to myself is to try to see (i.e. photograph) these sites in new ways on each visit. Earlier this summer Taliesin Preservation was kind enough to ask me to write about my photography for their blog:

https://www.taliesinpreservation.org/behind-the-lens/

I am dedicating this post to my friend Cate Boldt, docent and educator extraordinaire at Taliesin. First you see Cate, a Master Gardener, preparing for her role as a Taliesin Garden Fairy, and then with students in Taliesin’s summer architecture camp, as students prepare for their final presentations at Hillside Theater (the practice run was at Wyoming Valley School):

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Our first stop Wednesday morning was at Jacobs 1 in Madison:

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I was taken with the glint of morning sun on the side of the house:

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I have long admired James Dennis’s red Volvo P1800 sports coupe which sits under Wright’s first carport. Wednesday I challenged myself to photograph it in the context of the house:

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Then it was on to the Unitarian Meeting House where I concentrated on the new copper roof. There is just a hint of light on the left edge of the prow in the first photo, the usual angle from which the church is photographed:

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Then it was time to play with light and shapes:

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As I shot the next few photos I longed for the days I worked for a newspaper, when I likely would have been given access inside the fence and allowed to climb up with the craftsmen restoring the landmark building:

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Our next stop was Wyoming Valley School. I have posted geometric photos in the past, but I found new lines to photograph Wednesday as Mary Pohlman told our guests about the school:

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I found a new way to show one of the many mitered windows:

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After lunch at Riverview Terrace, it was on for a Cate-led tour of Taliesin. What could I see differently? The first two photographs are reflections in windows:

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Percy Jackson (Hamblen) thinks he rules the roost (Fifi Montooth sometimes loudly challenges Percy, but she can never catches him):

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Inside the original drafting studio:

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In Mrs. Wright’s bedroom:

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Outside Mr. Wright’s bedroom:

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I struck out at Hillside Home and School, but that is okay…I can’t force pictures that don’t present themselves to me. Earlier Cate had urged me not to miss photographing Kevin Dodds (white shirt) from Taliesin Preservation and Michael DiPadova from the Frank Lloyd Wright Foundation as they rebuild the Tea Circle:

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I leave you with one more “Selfie,” my reflection in the trim of the headlight of Jim’s Volvo:

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Thank you for joining me on my photo adventures!

 

 

 

 

 

 

 

 

Photographing Wright Sites, Part 4

(c) Mark Hertzberg (2019)

This is the fourth installment of showing you different things I saw and photographed while visiting new and familiar Wright sites this spring. The next post coming is the same theme, but with a few more surprising photos.

Jacobs 1 – Peeking through the carport:

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My first visit to Muirhead Farmhouse, Hampshire, Illinois:

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Visiting the restored Robie House in Chicago (photographed with permission of the Frank Lloyd Wright Trust):

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The adjoining McArthur (left) and Blossom houses in Chicago:

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The Gridley House in Batavia, Illinois, where we enjoyed another special Steven Freeman dinner…but that’s grist for another post down the road…

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Photographing Familiar Wright Sites, Part 2

Photos (c) Mark Hertzberg (2019)

A few weeks ago I posted photos that showed new things I saw at Frank Lloyd Wright sites that I had visited “umpteen” times. I was helping lead a Road Scholar tour and had told the guests that one of the joys of Frank Lloyd Wright’s architecture is the challenge of seeing his work in new ways on return visits. For me that means I have a personal challenge to see new things to photograph. On my visit to Taliesin last Friday – just two weeks after my last visit with a Road Scholar group – I saw many new things. One cannot help but be on the lookout for new things with Cate Boldt as docent (and that is not to diminish her colleagues’ skills, but, well, Cate is Cate!).

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I cannot count the number of times I have been in the living room at Taliesin and seen the piano. This was the first time I saw it this way and thought about Wright and his apprentices sitting next to the windows and gazing out at the “Valley of the Almighty Joneses” (the late Edgar Tafel, one of the first Taliesin Fellowship apprentices, often told of Wright directing him, “Edgarrrrr, play some Bach!”). Hats off to Cate for sending me into the small kitchen adjacent to the living room to look for our friend Minerva Montooth!

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How many times have I seen the old drafting tables in the original drafting room? This is the first time I have seen photographs in them:

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This is what Wright called “the belvidere,” framed by the wisteria plants outside his bedroom:

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I led my last post with a view of the farmland framed by a window near the bird walk. I saw more things framed by windows this visit. Two photos look abstract because I shot them as my camera’s autofocus was hunting for a focus spot:

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And, seen from the entrance to Hillside Theatre:

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Sometimes the architecture itself frames our view:

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Sometimes the red shuttle bus can add a point of interest, instead of being an element to crop out of the photo:

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The next two photos are from the Jacobs 1 House and the Unitarian Meeting House in Madison:

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While I have your attention, on June 14 Nick Hayes, steward of the Elizabeth Murphy American System-Built house in Shorewood (Milwaukee) will present a program about the house and the ASB homes in Milwaukee. I encourage you to hear his presentation:

https://uwm.edu/sce/courses/how-frank-lloyd-wright-built-an-artistic-legacy-from-a-tiny-house/