Rainy Day Post #3 – A Wright Potpourri

Photos (c) Mark Hertzberg (2020)

I have promised you one more “rainy day post,” cleaning up pictures that have been waiting on my desktop for the right context to post them in. This is a smattering of photos of Frank Lloyd Wright sites I have visited in one context or another since July 2018. While I shoot literal photos of Wright buildings (“head shots” we called them in the newsroom), I also look for photos of details of Wright’s designs. I am generally not sharing interior photos of private homes. I try to avoid looking at other photographers’ interpretations of Wright buildings before I visit them so that I see the structures through my own eye and lens, rather than possibly copy another photographer’s vision.

The photos are in chronological order, beginning with a wonderful trip to the Detroit area that July two years ago. We were with our good friends Bob and Jeanne Maushammer from Virginia. Jeanne’s exposure to Wright began when she was a teenager, hired to babysit at the Thomas P. Hardy House in Racine for Schuyler and Peterkin Seward, stewards of the house between 1957 – 1963. The Maushammers dutifully chronicle their Wright adventures in a well worn copy of William Allin Storrer’s The Architecture of Frank Lloyd Wright. I will copy and paste Jeanne’s recollections of the Hardy House from my 2006 book about the house at the end of this blog post.

Our first stop was at the Affleck House in Bloomfield Hills, where Dale Gyure graciously gave us a private tour:

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We were fortunate to next get a private tour of the Melvin Smith House. The light was not as subtle as the architecture in the early afternoon:

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Then we were off to the Turkel House, lovingly restored by our good friends Norm Silk and Dale Morgan. Jeanne has wonderful stories of having seen the then-distressed house ca. 2004 right after a questionable tenant had been evicted. We had bid on a dinner at the house, to benefit the Frank Lloyd Wright Building Conservancy. Norm went above and beyond shopping for us in a Middle Eastern market, and we had a lovely meal in the garden. The Maushammers, Cindy (Hertzberg), and Norm:

Turkel House Dinner 010.jpgWe planned to stay only a couple of hours and not overstay our welcome, but we were like family enjoying the house in the living room after dinner until past 11 p.m.! The light was harsh when we arrived at 5 p.m., and I wondered how it would change through the evening:

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Our next adventure was when Bob and Jeanne treated us to a stay at the Palmer House in Ann Arbor:

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I was then on tour in familiar territory in Wisconsin, helping lead tours for Road Scholar, first in Racine at SC Johnson and at Wingspread. I have visited and photographed these wonderful spaces umpteen times, and always look for a fresh way to see them:

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I climbed these stairs at Wingspread countless times before seeing this photo:

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I was then taken, again, by the fixtures at the Annunication Greek Orthodox Church in Wauwatosa (suburban Milwaukee):

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After touring Racine and Milwaukee, we take our Road Scholar guests to Madison and Spring Green. First, a detail of the ceiling of Jacobs 1:

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Then, a light well in Anthony Puttnam’s interpretation of Monona Terrace:

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The trip culminates at Taliesin – of course – after seeing the Unitarian Meeting House in Madison and Wyoming Valley School, with lunch at Riverview Terrace. Our introduction to Taliesin is a pause at the dam:

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I finish with Jeanne’s recollection of babysitting at the Hardy House and a “selfie” there:

(From “Frank Lloyd Wright’s Thomas P. Hardy House,” written and photographed by Mark Hertzberg, Pomegranate: 2006):

Jeanne (Weins) Maushammer, who baby-sat for the Sewards, recalls growing up nearby. “The house was well-known to everyone in the neighborhood.  People would go to the 14th Street public beach there and see the house just a short distance away.  It did not look like a private residence.  Visitors from outside the area – even across town – would see two openings that could easily be mistaken for bath house entrances, and try to go in to change their clothes.

“Sometimes when you were driving around with out-of-town folks, they would ask ‘What is that?’  They did not recognize it as a house, because it was so different from the other homes around it, and because it was next to the beach.  Neighbors knew what it really was.  The Johnson Wax complex was down the street from us, so the Hardy House seemed to be appropriate.  My folks often told me of their witnessing the construction of the Administration Building and of seeing Frank Lloyd Wright.  The Johnson buildings were understood and accepted by visitors, but not the ‘beach house.’

“My friends and I used to go down to the beach all the time.  We could not get close enough to the property to get a good look at it.  We always had to look through the trees.  We could not see how it blended into the hill side.  That added to the mystery of it.  From the street, all that people could see was just that box.

“I knew it was a Frank Lloyd Wright house before I first went inside.  What I did not realize was how he proportioned houses to his small frame.  I remember thinking when inside for the first time:  ‘I am 5’4” but wow, these doorways are low.’  It was dark and raining that particular day, so I did not get to appreciate the house’s real beauty.  After I had been there several times and had a chance to explore it, to stand in that living room and on the balcony, and to take in the view, I realized it was incredible.

“My husband has never seen the inside of the house, except in photos, but in our wildest dreams we would like to buy it and come back to Racine.”

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Exploring Wright with my cameras: 9.17.19

(c) Mark Hertzberg

I have written several posts this year about the stimulating challenge of finding new ways to photograph Frank Lloyd Wright- designed buildings on my umpteenth visit to them. This week I am helping lead my fourth Road Scholar Wright – Wisconsin discovery tour of the year. Today’s photo adventure was in the Annunciation Greek Orthodox Church in Wauwatosa, Wisconsin.

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The photos above were all taken from the same seat.

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The next two pictures were quick grab shots at Monona Terrace in Madison. They show the Wisconsin State Capitol framed by jets from the water fountain on the rooftop garden level:

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Tomorrow we are off to visit Jacobs 1, the Unitarian Meeting House, Wyoming Valley School, Taliesin, and Hillside Home and School. Will I see something new? That’s the challenge! It happened often in past visits with RS groups this spring – and I have posted those photos – but I won’t force a photo. If nothing speaks to me tomorrow, so be it; I can’t shoot something just for the sake of taking a picture.

Wright Sites Meeting at Wingspread

Photos (c) Mark Hertzberg, 2018

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Three dozen representatives of Wright sites, the Frank Lloyd Wright Foundation and the Frank Lloyd Wright Building Conservancy, met at the Johnson Foundation at Wingspread in late March for a “Wright Site Directors Summit.” Topics included creating Wright mobile apps, presenting sites in 3-D on tablets, strategies for innovative branding and marketing, and accommodating guests with disabilities. The three-day meeting was sponsored by the two foundations and the Building Conservancy.LR BC Wright Sites 024.jpgLibby Garrison of the Marin County Civic Center tells how their mobile app was created.

LR BC Wright Sites 003.jpgMichael Ditmer (Still Bend) and Heather Sabin (Monona Terrace) confer. Ditmer is the new president of Wright in Wisconsin. Mike Lilek, left rear, of Frank Lloyd Wright’s Burnham Block talks with John Waters Preservation Programs Manager of the Building Conservancy. Kathryn Burton (Gordon House) is also at the table.

LR BC Wright Sites 011.jpgStuart Graff, President and CEO of the Frank Lloyd Wright Foundation, contributes to the discussion after a presentation. Jim Ladwig, center, (SC Johnson and Son) and Don Dekker (Meyer May House) take notes and listen.

LR BC Wright Sites 015.jpgJeffrey Herr (Hollyhock House) and Carrie Rodamaker (Taliesin Preservation)

LR BC Wright Sites 037.jpgMike Lilek of Frank Lloyd Wright’s Burnham Block in Milwaukee.

LR BC Wright Sites 040.jpg“The House,” built in the mid-1950s adjacent to Wingspread, became the home of Mr. and Mrs. H.F. Johnson Jr. before they donated Wingspread itself to the newly-created Johnson Foundation in 1959. It has more space for conferences than the Wright-designed Wingspread. It has been said that Mrs. (Irene Purcell) Johnson was never comfortable in Wingspread because it was designed for another woman…Johnson’s wife who died during construction. National Public Radio, the National Endowment for the Arts, the International Court of Justice – and the Frank Lloyd Wright Building Conservancy – are among the entities that evolved from Johnson Foundation conferences. 

Preview Screening: Pedro E. Guerrero on PBS American Masters

(c) Mark Hertzberg 2015

Screening at Monona Terrace in Madison, Wisconsin, of the PBS

Dixie Legler Guerrero remarked “Everyone I know in Wisconsin is here!” as she surveyed the auditorium at Monona Terrace in Madison Tuesday evening September 1 for the premiere Wisconsin screening of “Pedro E. Guerrero: A Photographer’s Journey.” Guerrero (1917-2012) was Wright’s favorite photographer. The auditorium was filled for the screening which was part of Monona Terrace’s Wright Design lecture series. The screening was also sponsored by Frank Lloyd Wright Wisconsin wrightinwisconsin.org

Dixie Legler Guerrero, left, greets Effi Casey. Tim Wright, Frank Lloyd Wright's grandson, is at right.

Dixie Legler Guerrero, left, greets Effi Casey before the screening. Tim Wright, Frank Lloyd Wright’s grandson, is at right.

Minerva Montooth, left, and Dixie Legler Guerrero chat at the reception after the screening.

Minerva Montooth, left, and Dixie Legler Guerrero chat at the reception after the screening.

Guerrero’s work is on permanent display at Monona Terrace:

Guerrero PBS Screening

Guerrero PBS Screening

Guerrero and Dixie Legler Guerrero at the annual Wright birthday dinner at Taliesin in 2011 and 2012:

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Pedro Guerrero

Pedro Guerrero

The show, part of PBS’ American Masters series, airs Friday September 18 nationwide.