Photographing Familiar Wright Sites, Part 2

Photos (c) Mark Hertzberg (2019)

A few weeks ago I posted photos that showed new things I saw at Frank Lloyd Wright sites that I had visited “umpteen” times. I was helping lead a Road Scholar tour and had told the guests that one of the joys of Frank Lloyd Wright’s architecture is the challenge of seeing his work in new ways on return visits. For me that means I have a personal challenge to see new things to photograph. On my visit to Taliesin last Friday – just two weeks after my last visit with a Road Scholar group – I saw many new things. One cannot help but be on the lookout for new things with Cate Boldt as docent (and that is not to diminish her colleagues’ skills, but, well, Cate is Cate!).

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I cannot count the number of times I have been in the living room at Taliesin and seen the piano. This was the first time I saw it this way and thought about Wright and his apprentices sitting next to the windows and gazing out at the “Valley of the Almighty Joneses” (the late Edgar Tafel, one of the first Taliesin Fellowship apprentices, often told of Wright directing him, “Edgarrrrr, play some Bach!”). Hats off to Cate for sending me into the small kitchen adjacent to the living room to look for our friend Minerva Montooth!

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How many times have I seen the old drafting tables in the original drafting room? This is the first time I have seen photographs in them:

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This is what Wright called “the belvidere,” framed by the wisteria plants outside his bedroom:

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I led my last post with a view of the farmland framed by a window near the bird walk. I saw more things framed by windows this visit. Two photos look abstract because I shot them as my camera’s autofocus was hunting for a focus spot:

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And, seen from the entrance to Hillside Theatre:

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Sometimes the architecture itself frames our view:

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Sometimes the red shuttle bus can add a point of interest, instead of being an element to crop out of the photo:

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The next two photos are from the Jacobs 1 House and the Unitarian Meeting House in Madison:

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While I have your attention, on June 14 Nick Hayes, steward of the Elizabeth Murphy American System-Built house in Shorewood (Milwaukee) will present a program about the house and the ASB homes in Milwaukee. I encourage you to hear his presentation:

https://uwm.edu/sce/courses/how-frank-lloyd-wright-built-an-artistic-legacy-from-a-tiny-house/

 

 

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New stewards for Wright in Shorewood

(c) 2016 Mark Hertzberg

Angela and Nicholas Hayes joined the Wright family at the end of 2016 when they became the new stewards of the Elizabeth Murphy American System-Built house (1917) at 2106 E. Newton Ave. in Shorewood (near Milwaukee). The house, which was altered in the 1970s with the addition of a basement-level garage, was documented as one of Wright’s American System-Built homes in June, 2015. The siding, which either covers stucco, or more likely replaced it, also masks its Wright heritage. Still, Nicholas notes, ” The entire home remains as drawn, down to the knobs on the dining cabinets.”

The story of the announcement of the re-discovery of the house as one of Wright’s is at https://wrightinracine.wordpress.com/2015/06/05/newly-discovered-wright-home-near-milwaukee/LR ASB Newton 0002.jpg

 

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The Hayes outlined their interest in Wright and commitment to staying in Shorewood in a letter to the previous stewards, Roger and Pat Wisialowski. The letter, which accompanied their offer to purchase, follows:

“Both lifelong Milwaukeeans, we came to Shorewood 21 years ago to raise our kids among lovely neighbors and homes like yours. We lovingly upgraded our own home and gardens, I built businesses nearby, and Angela became the Art Teacher at Atwater School, where she teaches Shorewood children about local art and architecture, among other things. One of her class projects was to recreate Shorewood facades in clay after hiking neighborhoods, talking about history and engineering, and making 2D pencil sketches. Hundreds of colorful miniatures of familiar homes rest on Shorewoodian fireplace mantels alongside student-signed architectural renderings as provenance.

“With our adult daughters now in college, we’re entering a new chapter: we plan to stay in Shorewood, where we hope to give back. We think your home is an important key.

“Like you, we plan to be attentive and careful stewards and archivists while we live at 2106 East Newton. We will protect its glory, celebrate its importance, and secure its future. We plan to study every detail of Wright’s plans and workmanship and make sure that they remain intact and fresh. We will invest in and care for the home and yard as an important artistic and civic statement.

“To that end, Angela is already supplementing her curriculum to teach students about Wright’s vision, genius and aesthetic through her own experience of living in it. I’ve read every word written about the home since your discovery and will continue to engage the experts to try to uncover new clues and details about its place in our neighborhood. The home will remain a well-cared-for showpiece, although it will not be trampled by tourists. It will stay a private, quiet neighborhood gem, while also, importantly, creating a direct, tangible teaching moment for local kids.”

The Hayes are excited about the discoveries they have made in just a few weeks: “We’ve made some amazing discoveries in one short month: the original porch floor paint was hidden under carpet and parquet. Maple floors run throughout the upstairs (most were covered by linoleum and carpet). The all-birch cabinetry and trim can be painstakingly returned to original with classic materials: vinegar, steel wool, shellac and of course, time.” They are posting their progress on Twitter, including the following pictures, used with their permission.DSC_5302.jpegDSC_5304.jpegDSC_5300.jpeg