Exploring Wright with My Cameras, 9.18.19

(c) Mark Hertzberg (2019)

This is a follow-up post to the one from two days ago and several from earlier this year, as I visit Frank Lloyd Wright sites that are familiar to me with guests traveling on Road Scholar tours. I have been with four tours this year, a fifth one is scheduled for next week. One of our guests this week was from Australia:

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My challenge to myself is to try to see (i.e. photograph) these sites in new ways on each visit. Earlier this summer Taliesin Preservation was kind enough to ask me to write about my photography for their blog:

https://www.taliesinpreservation.org/behind-the-lens/

I am dedicating this post to my friend Cate Boldt, docent and educator extraordinaire at Taliesin. First you see Cate, a Master Gardener, preparing for her role as a Taliesin Garden Fairy, and then with students in Taliesin’s summer architecture camp, as students prepare for their final presentations at Hillside Theater (the practice run was at Wyoming Valley School):

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Our first stop Wednesday morning was at Jacobs 1 in Madison:

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I was taken with the glint of morning sun on the side of the house:

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I have long admired James Dennis’s red Volvo P1800 sports coupe which sits under Wright’s first carport. Wednesday I challenged myself to photograph it in the context of the house:

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Then it was on to the Unitarian Meeting House where I concentrated on the new copper roof. There is just a hint of light on the left edge of the prow in the first photo, the usual angle from which the church is photographed:

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Then it was time to play with light and shapes:

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As I shot the next few photos I longed for the days I worked for a newspaper, when I likely would have been given access inside the fence and allowed to climb up with the craftsmen restoring the landmark building:

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Our next stop was Wyoming Valley School. I have posted geometric photos in the past, but I found new lines to photograph Wednesday as Mary Pohlman told our guests about the school:

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I found a new way to show one of the many mitered windows:

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After lunch at Riverview Terrace, it was on for a Cate-led tour of Taliesin. What could I see differently? The first two photographs are reflections in windows:

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Percy Jackson (Hamblen) thinks he rules the roost (Fifi Montooth sometimes loudly challenges Percy, but she can never catches him):

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Inside the original drafting studio:

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In Mrs. Wright’s bedroom:

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Outside Mr. Wright’s bedroom:

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I struck out at Hillside Home and School, but that is okay…I can’t force pictures that don’t present themselves to me. Earlier Cate had urged me not to miss photographing Kevin Dodds (white shirt) from Taliesin Preservation and Michael DiPadova from the Frank Lloyd Wright Foundation as they rebuild the Tea Circle:

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I leave you with one more “Selfie,” my reflection in the trim of the headlight of Jim’s Volvo:

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Thank you for joining me on my photo adventures!

 

 

 

 

 

 

 

 

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Photographing Wright for the Umpteenth Time

Photos and Text (c) Mark Hertzberg (2019)

When I take guests on Frank Lloyd Wright tours for Road Scholar I tell them that one of the joys of Wright’s architecture is the possibility of seeing new things on every visit to places one has been to before. I always take my cameras with me on the Road Scholar tours for that reason and on my fifth tour for them, two weeks ago, I saw new things in buildings I have photographed many times. Alas, I did not find new things at every site we visited.

My first discoveries were at 2734 W. Burnham Street in Milwaukee, an American System-Built duplex being restored by Frank Lloyd Wright’s Burnham Block. The walls have now been stripped off and I saw these things, including the incinerator chute in the kitchen. The first photo is the view from the living room into the kitchen:

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I have photographed the Unitarian Meeting House in Madison many times. This visit I saw these views of the church. I hope to see the new copper roof by the time of my scheduled fall visits:

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I also saw a picture which spoke to the church’s statement of what Unitarianism is about, a collection of May poles amidst a “Black Lives Matter” sign. No matter what one’s beliefs, this is what the church believes, which is why the church exists, which is why there was a building for Frank Lloyd Wright to design:

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I have enjoyed photographing one of Wright’s smaller commissions, the Wyoming Valley School. This is what I saw differently this time:

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At Riverview Terrace (the Visitors Center at Taliesin), I was struck by the colors on a tree in the driveway:

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Then, of course, there was Taliesin. One of the guests asked why there are no art glass windows in the house. Cate Boldt (our superb docent) explained that Wright had no reason to shield the house for privacy and art glass windows would have blocked the views of his beloved land. What did Wright see?

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Windows looking out from the guest room were uncovered in December, 2017:

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The “Hoffman rug” in the living room has been taken out:

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The Romeo and Juliet Windmill and Tanyderi:

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And, then, finally, this was the first time I saw the drafting room at Hillside Home and School without students, which meant I could go into the room and take pictures:

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The tour I accompany for three days for Road Scholar is: https://www.roadscholar.org/find-an-adventure/22976/architectural-masterworks-of-frank-lloyd-wright

 

 

Wright on the Fly

(c) Mark Hertzberg 2017

Some of my favorite Wright photos were shot on the fly this week as I accompanied a Wright adventure sponsored by Road Scholar and the Jewish Community Center of Chicago as their Wright resource person in Racine, Milwaukee, Madison, and Spring Green. I sometimes shoot pictures more deliberately, with an appointment to photograph. This week’s photos were shot on the fly, during group tours. I posted some Wednesday. Here are photos from today. The first two are at Wyoming Valley School, the last two at Taliesin.

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The trip ended this evening. What will my next Wright adventure be?

Gene’s First Photos of the Hardy House

Mark Hertzberg (c) 2017

I have written before that the late Gene Szymczak was captivated by Frank Lloyd Wright’s Thomas P. Hardy House long before he ever thought of buying it (in 2012). He told me that the house was on his garbage route when he worked a summer job. A few years later, in 1977, he bought a Leica CL camera and took pictures of things that moved him, including the Hardy House. He returned the camera because he thought it too extravagant for him. Yesterday his sister-in-law, Joan Szymczak, excitedly called to tell me that she had found Gene’s Leica-Hardy photos, photos Gene couldn’t find when I asked him about them. Here they are:Gene Hardy 1.jpg

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Gene died unexpectedly December 3, but his family continues to share the house as he would have. Thank you, Gene, for your gift of having rehabilitated the house and wanting to share it. I will be taking a group of Road Scholar tour participants through the house this afternoon. When I took him through the house as a prospective buyer he said to me, “I don’t have children. This is something I could do for Racine.” And he did.Gene Szymczak 002.jpg