Rainy Day Post #3 – A Wright Potpourri

Photos (c) Mark Hertzberg (2020)

I have promised you one more “rainy day post,” cleaning up pictures that have been waiting on my desktop for the right context to post them in. This is a smattering of photos of Frank Lloyd Wright sites I have visited in one context or another since July 2018. While I shoot literal photos of Wright buildings (“head shots” we called them in the newsroom), I also look for photos of details of Wright’s designs. I am generally not sharing interior photos of private homes. I try to avoid looking at other photographers’ interpretations of Wright buildings before I visit them so that I see the structures through my own eye and lens, rather than possibly copy another photographer’s vision.

The photos are in chronological order, beginning with a wonderful trip to the Detroit area that July two years ago. We were with our good friends Bob and Jeanne Maushammer from Virginia. Jeanne’s exposure to Wright began when she was a teenager, hired to babysit at the Thomas P. Hardy House in Racine for Schuyler and Peterkin Seward, stewards of the house between 1957 – 1963. The Maushammers dutifully chronicle their Wright adventures in a well worn copy of William Allin Storrer’s The Architecture of Frank Lloyd Wright. I will copy and paste Jeanne’s recollections of the Hardy House from my 2006 book about the house at the end of this blog post.

Our first stop was at the Affleck House in Bloomfield Hills, where Dale Gyure graciously gave us a private tour:

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We were fortunate to next get a private tour of the Melvin Smith House. The light was not as subtle as the architecture in the early afternoon:

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Then we were off to the Turkel House, lovingly restored by our good friends Norm Silk and Dale Morgan. Jeanne has wonderful stories of having seen the then-distressed house ca. 2004 right after a questionable tenant had been evicted. We had bid on a dinner at the house, to benefit the Frank Lloyd Wright Building Conservancy. Norm went above and beyond shopping for us in a Middle Eastern market, and we had a lovely meal in the garden. The Maushammers, Cindy (Hertzberg), and Norm:

Turkel House Dinner 010.jpgWe planned to stay only a couple of hours and not overstay our welcome, but we were like family enjoying the house in the living room after dinner until past 11 p.m.! The light was harsh when we arrived at 5 p.m., and I wondered how it would change through the evening:

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Our next adventure was when Bob and Jeanne treated us to a stay at the Palmer House in Ann Arbor:

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I was then on tour in familiar territory in Wisconsin, helping lead tours for Road Scholar, first in Racine at SC Johnson and at Wingspread. I have visited and photographed these wonderful spaces umpteen times, and always look for a fresh way to see them:

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I climbed these stairs at Wingspread countless times before seeing this photo:

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I was then taken, again, by the fixtures at the Annunication Greek Orthodox Church in Wauwatosa (suburban Milwaukee):

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After touring Racine and Milwaukee, we take our Road Scholar guests to Madison and Spring Green. First, a detail of the ceiling of Jacobs 1:

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Then, a light well in Anthony Puttnam’s interpretation of Monona Terrace:

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The trip culminates at Taliesin – of course – after seeing the Unitarian Meeting House in Madison and Wyoming Valley School, with lunch at Riverview Terrace. Our introduction to Taliesin is a pause at the dam:

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I finish with Jeanne’s recollection of babysitting at the Hardy House and a “selfie” there:

(From “Frank Lloyd Wright’s Thomas P. Hardy House,” written and photographed by Mark Hertzberg, Pomegranate: 2006):

Jeanne (Weins) Maushammer, who baby-sat for the Sewards, recalls growing up nearby. “The house was well-known to everyone in the neighborhood.  People would go to the 14th Street public beach there and see the house just a short distance away.  It did not look like a private residence.  Visitors from outside the area – even across town – would see two openings that could easily be mistaken for bath house entrances, and try to go in to change their clothes.

“Sometimes when you were driving around with out-of-town folks, they would ask ‘What is that?’  They did not recognize it as a house, because it was so different from the other homes around it, and because it was next to the beach.  Neighbors knew what it really was.  The Johnson Wax complex was down the street from us, so the Hardy House seemed to be appropriate.  My folks often told me of their witnessing the construction of the Administration Building and of seeing Frank Lloyd Wright.  The Johnson buildings were understood and accepted by visitors, but not the ‘beach house.’

“My friends and I used to go down to the beach all the time.  We could not get close enough to the property to get a good look at it.  We always had to look through the trees.  We could not see how it blended into the hill side.  That added to the mystery of it.  From the street, all that people could see was just that box.

“I knew it was a Frank Lloyd Wright house before I first went inside.  What I did not realize was how he proportioned houses to his small frame.  I remember thinking when inside for the first time:  ‘I am 5’4” but wow, these doorways are low.’  It was dark and raining that particular day, so I did not get to appreciate the house’s real beauty.  After I had been there several times and had a chance to explore it, to stand in that living room and on the balcony, and to take in the view, I realized it was incredible.

“My husband has never seen the inside of the house, except in photos, but in our wildest dreams we would like to buy it and come back to Racine.”

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Rainy Day Post #2 – Guggenheim Dome Evolution

Photos (c) Mark Hertzberg (2020)

Saturday I wrote that it’s like a rainy day, and I am taking time to clean up my desktop and post some things that have been in limbo. There will be a third Rainy Day Frank Lloyd Wright post – the one with what I referred to as a “smattering” of photos from many Wright sites – possibly tomorrow.

I noted in my 2004 book Wright in Racine that Wright’s initial design for the dome of the Guggenheim Museum in 1943 was identical to the one he later used for the dome built over the advertising department in the SC Johnson Administration Building in Racine. That space was added concurrently with the construction of the SC Johnson Research Tower (designed in 1943/44, constructed 1947-1950). (The space is now home to the company’s Global Affairs and related departments)

The Advertising Department’s dramatic glass dome is now an architectural icon of the company. It embodies the design Wright proposed in 1943 for the Guggenheim Museum.
The dome now has a white cover now to lessen the heat from the sun.

Visitors to the 2017 “Unpacking the Archive” exhibit at the Museum of Modern Art in New York City (MoMA) saw the Johnson version of the dome on the Guggenheim model in the exhibit:

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This exhibit was labled: “Tension ring study model for Johnson Wax Research Tower, Racine, Wisconsin  1943-50  Steel.” There was no mention of its similarity to the Guggenheim proposal.

Wright’s final design for the dome has been photographed many times:

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SC Johnson Buildings

(c) Mark Hertzberg 2020

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There is something indescribable for me in Frank Lloyd Wright’s designs of the SC Johnson Administration Building (1936) and SC Johnson Research Tower (1943/44) in Racine, Wisconsin. I gaze at them every day during my daily bike ride.

I found the lighting particularly soft and nice the evening of June 16, riding after spending the day photographing the newly restored curtain at Hillside Theatre and the desolate empty drafting room at Hillside (the two previous posts on this website).

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The pictures were taken through the fence at the Golden Rondelle guest relations center which cannot reopen until the COVID-19 crisis passes. This is the first view that visitors have of the buildings, as they come onto campus at 14th Street. LR SC Johnson Admin Building Tower 6.16.20 005.jpg

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I look forward to being able to once again get past the fence and enjoy – and photograph – the wonderful interior spaces again.

 

SCJ Shapes

(c) Mark Hertzberg 2017

Circles seemed to be what caught my eye today when I shot a few quick pictures at SC Johnson today while accompanying 35 guests who are on a two-state Road Scholar / Jewish Community Center of Chicago architectural tour. These were taken in public areas where photos are allowed without special permission or arrangements.

SCJ 10.4.17 007.jpgThe Research Tower, upper right, peeks out from above the short columns on the walkway to the Administration Building carport.

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The carport presents a myriad of shapes to play with.

SCJ 10.4.17 014.jpgFinally, there is this picture at the entrance to the Administration Building.

First Wright Heritage Trail Signage Placed on I-94

(c) Mark Hertzberg 2016

The new Frank Lloyd Wright Trail was dedicated this morning in Madison. The trail, which runs from the Illinois – Wisconsin state line to Richland Center, is a joint effort by the state departments of tourism and transportation to highlight the rich heritage of Wright’s work in his native state. About 142 signs have been placed in the last few weeks on I-94 and other highways marking the path to nine Wright sites.

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Wisconsin Gov. Scott Walker signed the bipartisan bill establishing the Trail in a ceremony at Taliesin in March:

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Signs directing motorists to specific public sites such as the SC Johnson Administration Building and Research Tower and Wingspread in Racine will be erected in spring.

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A link to the Department of Tourism page with the official map follows:

http://www.travelwisconsin.com/frank-lloyd-wright

Wright at SCJ

Photos (c) Mark Hertzberg for SC Johnson

SC Johnson announces “Building Relationships: Wright, Johnson, and the SC Johnson Campus,” the fifth iteration of its Frank Lloyd Wright at Home exhibit in Fortaleza Hall on the company campus in Racine, Wis. The exhibit opens Friday May 6. The exhibit traces the design of the Administration Building (1936) and the Research Tower (1944) as well as touching on Wright’s influence on Norman Foster’s design of Fortaleza Hall on the company campus, and Santiago Calatrava’s Quadracci Pavilion at the Milwaukee Art Museum.

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A mural of the Great Workroom is the backdrop to selected pieces of office furniture that Wright designed for the Administration Building. The American Metal Furniture Co., later Steelcase, was commissioned to build the furniture. Steelcase bought and restored Wright’s Meyer May House in the 1980s as a “thank you” to Wright for giving them the commission during the Great Depression. The highlight of that portion of the exhibit is a suspended or “exploded” desk chair, enabling viewers to see each element of Wright’s design.

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The Norman Foster building and Calatrava’s museum addition are in the last salon of the exhibit, near a video which tells three stories in succession: historic footage of the famous column test at the Administration Building in June, 1937 and time lapse videos of Fortaleza Hall’s and the museum’s construction. Foster’s challenge was to build an inspiring building in the shadows of Wright’s two landmark buildings on the SCJ campus. Calatrava visited the campus as he was designing the museum addition. Wright’s organic architecture is said to have inspired the way he linked downtown Milwaukee to the lakefront museum addition to the original Eero Saarinen building (and its first addition).

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Reservations for free tours of the exhibit, Wright buildings, and Wingspread can be made at: www.scjohnson.com/visit

Frank Lloyd Wright Trail signed into law.

Photos (c) Mark Hertzberg 2016

Walker Wright Heritage Trail

Commemorative pens that Wisconsin Gov. Scott Walker will use to sign the bipartisan bill to fund a Frank Lloyd Wright Trail between Racine and Richland Center, are on Wright’s table in his drafting room at Taliesin, his home in Spring Green, Monday March 21, 2016. / (c) Mark Hertzberg

The law provides $50,000 funding for highway signs and other marketing to promote Wright’s work in Wisconsin, from the Illinois/Wisconsin state line on I-94 through Racine, Madison, and Spring Green, and ending at the A.D. German Warehouse in Richland Center. Milwaukee is not included in the signage because Wright sites they are not open enough hours and it was thought it best not to divert travelers to sites they might find closed. Three sites in Racine will be included: the SC Johnson Administration Building, the SC Johnson Research Tower, and Wingspread.

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Wisconsin Gov. Scott Walker walks out on the cantilevered balcony outside the living room at Taliesin before he signs the bipartisan bill to fund the Frank Lloyd Wright Trail, Monday March 21, 2016. / (c) Mark Hertzberg

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Wisconsin Gov. Scott Walker, center, chats with the bill’s sponsors on the cantilevered balcony outside the living room at Taliesin before he signs the bipartisan bill to fund the Frank Lloyd Wright Trail, Monday March 21, 2016. / (c) Mark Hertzberg

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Wisconsin Gov. Scott Walker, right, chats with state representatives Cory Mason (D-Racine) and Todd Novak (R-Dodgeville) and State Sen. Howard Marklein (R- Spring Green), the sponsors of Assembly Bill 512, the bipartisan bill to fund a Frank Lloyd Wright Trail between Racine and Richland Center, in the living room at Taliesin, Wright’s home in Spring Green, Monday March 21, 2016. / (c) Mark Hertzberg

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Wisconsin Gov. Scott Walker signs the bill to fund the Frank Lloyd Wright Trail between Racine and Richland Center, in Wright’s drafting room at Taliesin, his home in Spring Green, Monday March 21, 2016. / (c) Mark Hertzberg

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Wisconsin Gov. Scott Walker is applauded after he signs the bipartisan bill to fund a Frank Lloyd Wright Trail between Racine and Richland Center, in Wright’s drafting room at Taliesin, his home in Spring Green, Monday March 21, 2016. Looking on are Rep. Cory Mason (D-Racine), left, Sen. Howard Marklein (R- Spring Green), Rep. Todd Novak (R-Dodgeville), who introduced the bill, and State Sen. Van Wanggaard (R-Racine), a co-sponsor / (c) Mark Hertzberg

Walker Wright Heritage Trail

Wisconsin Gov. Scott Walker signed the bipartisan bill to fund a Frank Lloyd Wright Trail between Racine and Richland Center, in Wright’s drafting room at Taliesin, his home in Spring Green, Monday March 21, 2016. / (c) Mark Hertzberg

SCJ Research Tower: Imitation is Flattery

(c) Mark Hertzberg If imitation is indeed the sincerest form of flattery (Charles Caleb Colton, 1820), then Frank Lloyd Wright’s SC Johnson Research Tower has many admirers. The latest incarnation of the Tower is a Lego model built by Chris Eyerly of Kenosha. It is displayed in Fortaleza Hall on the company campus.

Lego Research Tower

The first spin-off of the Tower was a desk lighter commissioned by H.F. Johnson Jr. in 1946, the year before construction began, to mark the company’s 50th anniversary. Famed industrial design Brooks Stevens delighted in “literally knocking the great Wright down to size” when he designed the lighter, according to Glenn Adamson, who profiled Stevens in 2003 for an exhibition at the Milwaukee Art Museum.

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It was followed sometime after 1960 by a Christmas candle. While the lighters are collectors’ items today, fetching prices up to $700 on sites like eBay, the candle was not as successful, according to the late Serge Logan, who worked in community relations for the company. People liked the “gorgeous smell,” Logan recalled, “I think we got them in Maine somewhere because of the smell of the pines.” But the company that made the candles did not pack them well enough, and many cracked during shipping.

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There was also a golden charm of the Tower offered for sale to employees in 1971 for $5. It was made by Tiffany & Company. It was packaged in a blue leatherette jewelry case with the Tiffany trademark.

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Eyerly, 39, is an IT security engineer who enjoys challenging himself by designing Lego models. He incorporates his admiration of Wright’s work into his hobby. The Tower is his second Wright Lego creation. Six years ago he used 15,000 of the plastic building bricks to make a four-foot wide model of the Frederick Robie House in Chicago.

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He uses practical considerations in deciding what to build, “If certain Lego pieces fit the shape of the building, that’s a key that’s something I can build. The round corners (of the Tower) were just the right shape. Realizing I could accomplish that was the impetus I could build that building.”

Lego Research Tower

SC Johnson gave him PDF copies of some of the original drawings for the building. Eighty hours later, over some two and a half months in the summer of 2012, up to 6,000 Lego blocks in eight colors had been transformed into an almost three-foot tall model of Wright’s landmark Tower.

Lego Research Tower

Eyerly planned one floor of the Tower model in a computer Lego CAD program to help him estimate how many pieces he would need. “I don’t do a ton in CAD. It’s mostly a free build, just snapping pieces together. I do a lot of math ahead of time. That’s why I like scale drawings, so I know how many studs (the round knob atop each brick) it needs to be.”

Lego Research Tower

His models don’t come together easily. He had to rebuild the Robie House four times, the Tower twice. “You get to a certain point and realize something won’t work and you take it apart and retry.”

Lego Research Tower

The company learned about the Tower model after Eyerly showed it at the Brick World Lego convention in Wheeling, Illinois, and invited him to display it at their headquarters. Eyerly enjoys peoples’ reactions to his models because they evoke emotional responses, he says. “Wright’s architecture is interesting. It often draws out memories from people. Often you get emotions or feelings from people. It often ties in personally for people, which makes it interesting for me to hear the stories.” That is even more the case with the Tower model because he knows many people who work at SC Johnson. His next model will be Wright’s Bernard Schwartz House (1939) in Two Rivers, Wisconsin. Ironically, construction was supervised by Edgar Tafel, one of Wright’s original Taliesin Fellowship the apprentices. Tafel had already supervised construction of the SC Johnson Administration Building and Wingspread, as well as part of Fallingwater.

Countdown to Tower opening

Photos (c) Mark Hertzberg for SC Johnson

In just twelve hours the first public tours ever of the SC Johnson Research Tower begin. There is such demand for the tours that Wednesday and Thursday have just been added to the reservation schedule. We whet your appetite for your visit with some photos shot this afternoon, including some from a unique vantage point. The Research Tower is Wright’s only executed tap-root tower (Bruce Brooks Pfeiffer told me that Price Tower is not a true tap-root tower because it is tied into the foundation of the adjoining office building).

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A portrait of Mr. Wright and H.F. Johnson Jr. at the Tower is on the elevator door on 3 Mezz:

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The Tower’s original lighting scheme was replicated as part of the restoration of the building (see older posts for photos of the Tower re-lighting at dusk on December 21, the Winter Solstice).

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You can see photos of some of the 1950s artifacts on display two articles below this one. To make tour reservations:

www.scjohnson.com/visit

Some people have asked me technical questions: today’s photos were shot with a 14mm f2.8 lens on a full frame digital camera body (a Nikon D600). I do not particularly favor one brand camera…I choose Nikons because of my investment in Nikkor lenses over many years.