Poking Around Taliesin With My Cameras

(c) Mark Hertzberg (2019)

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This is the third installment this spring in my photographic discoveries at Taliesin…based on the premise that one can indeed see new things even on one’s umpteenth visit to a building designed by Frank Lloyd Wright. This visit was the weekend of June 8…when we were privileged to stay overnight in the Rose guest room after Minerva Montooth’s and Taliesin Preservation’s annual celebration of Wright’s birthday.

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Yes, as seen above, sometimes there is a reason I bring a camera into the bathroom!

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There are, indeed, gnats and mosquitoes on a warm spring evening.

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Happy 152nd Birthday, Frank Lloyd Wright

(c) Mark Hertzberg (2019)

It is always a joy to mark Frank Lloyd Wright’s birthday at Taliesin at a party hosted by the always-gracious Minerva Montooth and Taliesin Preservation. The celebration, which is always on a Saturday, was on June 8, his birth date.This year we had the privilege of staying overnight at Taliesin for the first time because I was giving a presentation the next day at Hillside about my new book about Penwern, the Fred B. Jones estate on Delavan Lake.

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Caroline Hamblen, left, Director of Programs, and Kyle Adams, Events Manager, show Minerva the traditional Frank Lloyd Wright birthday cake, made from his favorite cake recipe.

 

Dixie Legler Guerrero chats with Minerva.

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2019 Wright Birthday 011.jpgCarrie Rodamaker, Executive Director of Taliesin Preservation, speaks under a lovely evening sky. This year’s guests were not subjected to the heat and humidity that has beset past birthday celebrations.2019 Wright Birthday 023.jpg

2019 Wright Birthday 015.jpgAaron Betsky, Dean of the School of Architecture at Taliesin

2019 Wright Birthday 017.jpgBenjamin Feiner played for the guests.

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2019 Wright Birthday 031.jpgMinerva holds Fifi as the celebration winds down at 9:30 p.m.

 

Photographing Familiar Wright Sites, Part 2

Photos (c) Mark Hertzberg (2019)

A few weeks ago I posted photos that showed new things I saw at Frank Lloyd Wright sites that I had visited “umpteen” times. I was helping lead a Road Scholar tour and had told the guests that one of the joys of Frank Lloyd Wright’s architecture is the challenge of seeing his work in new ways on return visits. For me that means I have a personal challenge to see new things to photograph. On my visit to Taliesin last Friday – just two weeks after my last visit with a Road Scholar group – I saw many new things. One cannot help but be on the lookout for new things with Cate Boldt as docent (and that is not to diminish her colleagues’ skills, but, well, Cate is Cate!).

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I cannot count the number of times I have been in the living room at Taliesin and seen the piano. This was the first time I saw it this way and thought about Wright and his apprentices sitting next to the windows and gazing out at the “Valley of the Almighty Joneses” (the late Edgar Tafel, one of the first Taliesin Fellowship apprentices, often told of Wright directing him, “Edgarrrrr, play some Bach!”). Hats off to Cate for sending me into the small kitchen adjacent to the living room to look for our friend Minerva Montooth!

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How many times have I seen the old drafting tables in the original drafting room? This is the first time I have seen photographs in them:

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This is what Wright called “the belvidere,” framed by the wisteria plants outside his bedroom:

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I led my last post with a view of the farmland framed by a window near the bird walk. I saw more things framed by windows this visit. Two photos look abstract because I shot them as my camera’s autofocus was hunting for a focus spot:

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And, seen from the entrance to Hillside Theatre:

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Sometimes the architecture itself frames our view:

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Sometimes the red shuttle bus can add a point of interest, instead of being an element to crop out of the photo:

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The next two photos are from the Jacobs 1 House and the Unitarian Meeting House in Madison:

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While I have your attention, on June 14 Nick Hayes, steward of the Elizabeth Murphy American System-Built house in Shorewood (Milwaukee) will present a program about the house and the ASB homes in Milwaukee. I encourage you to hear his presentation:

https://uwm.edu/sce/courses/how-frank-lloyd-wright-built-an-artistic-legacy-from-a-tiny-house/

 

 

Photographing Wright for the Umpteenth Time

Photos and Text (c) Mark Hertzberg (2019)

When I take guests on Frank Lloyd Wright tours for Road Scholar I tell them that one of the joys of Wright’s architecture is the possibility of seeing new things on every visit to places one has been to before. I always take my cameras with me on the Road Scholar tours for that reason and on my fifth tour for them, two weeks ago, I saw new things in buildings I have photographed many times. Alas, I did not find new things at every site we visited.

My first discoveries were at 2734 W. Burnham Street in Milwaukee, an American System-Built duplex being restored by Frank Lloyd Wright’s Burnham Block. The walls have now been stripped off and I saw these things, including the incinerator chute in the kitchen. The first photo is the view from the living room into the kitchen:

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I have photographed the Unitarian Meeting House in Madison many times. This visit I saw these views of the church. I hope to see the new copper roof by the time of my scheduled fall visits:

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I also saw a picture which spoke to the church’s statement of what Unitarianism is about, a collection of May poles amidst a “Black Lives Matter” sign. No matter what one’s beliefs, this is what the church believes, which is why the church exists, which is why there was a building for Frank Lloyd Wright to design:

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I have enjoyed photographing one of Wright’s smaller commissions, the Wyoming Valley School. This is what I saw differently this time:

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At Riverview Terrace (the Visitors Center at Taliesin), I was struck by the colors on a tree in the driveway:

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Then, of course, there was Taliesin. One of the guests asked why there are no art glass windows in the house. Cate Boldt (our superb docent) explained that Wright had no reason to shield the house for privacy and art glass windows would have blocked the views of his beloved land. What did Wright see?

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Windows looking out from the guest room were uncovered in December, 2017:

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The “Hoffman rug” in the living room has been taken out:

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The Romeo and Juliet Windmill and Tanyderi:

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And, then, finally, this was the first time I saw the drafting room at Hillside Home and School without students, which meant I could go into the room and take pictures:

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The tour I accompany for three days for Road Scholar is: https://www.roadscholar.org/find-an-adventure/22976/architectural-masterworks-of-frank-lloyd-wright

 

 

Reflecting on Wright at Taliesin

Photos (c) Mark Hertzberg 2018

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Much has been written about Frank Lloyd Wright’s reasons for building Taliesin after his return from Europe with Mamah Borthwick (Cheney). Perhaps Jamaal Allmond summed it up succinctly – without necessarily knowing the details of the turmoil in Wright’s life in 1911 – when I saw him at Taliesin Saturday several hours before the annual Wright birthday celebration. His answer when I asked him what I had just photographed him doing: “I was relaxing my soul.” Allmond, a first time visitor to Taliesin, is from Scottsdale, Arizona. He was visiting friends who are at Taliesin.

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Now, onto the annual celebration of Wright’s birthday at Taliesin, hosted by the Frank Lloyd Wright Foundation, the School of Architecture at Taliesin, and Taliesin Preservation. Our hosts were the ever-ebuillent Minerva Montooth, Carrie Rodamaker, and Stuart Graff. There are more photos of Allmond “relaxing his soul” at the end of this post.

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LR Wright Birthday 2018 048.jpgThe birthday cake is presented.

LR Wright Birthday 2018 018.jpgMinerva Montooth greets guests at her home…Taliesin.

LR Wright Birthday 2018 026.jpgStuart Graff, president and CEO of the Frank Lloyd Wright Foundation, describes his concrete (really!) bowtie to guests.Wright Birthday 2018 024.jpgJack Holzhueter, left, Mike Lilek (Frank Lloyd Wright’s Burnham Block, Inc.,) and Steve Sikora (Malcolm Willey House)

LR Wright Birthday 2018 035.jpgThe tables are turned on the photographer.

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Wright Sites Meeting at Wingspread

Photos (c) Mark Hertzberg, 2018

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Three dozen representatives of Wright sites, the Frank Lloyd Wright Foundation and the Frank Lloyd Wright Building Conservancy, met at the Johnson Foundation at Wingspread in late March for a “Wright Site Directors Summit.” Topics included creating Wright mobile apps, presenting sites in 3-D on tablets, strategies for innovative branding and marketing, and accommodating guests with disabilities. The three-day meeting was sponsored by the two foundations and the Building Conservancy.LR BC Wright Sites 024.jpgLibby Garrison of the Marin County Civic Center tells how their mobile app was created.

LR BC Wright Sites 003.jpgMichael Ditmer (Still Bend) and Heather Sabin (Monona Terrace) confer. Ditmer is the new president of Wright in Wisconsin. Mike Lilek, left rear, of Frank Lloyd Wright’s Burnham Block talks with John Waters Preservation Programs Manager of the Building Conservancy. Kathryn Burton (Gordon House) is also at the table.

LR BC Wright Sites 011.jpgStuart Graff, President and CEO of the Frank Lloyd Wright Foundation, contributes to the discussion after a presentation. Jim Ladwig, center, (SC Johnson and Son) and Don Dekker (Meyer May House) take notes and listen.

LR BC Wright Sites 015.jpgJeffrey Herr (Hollyhock House) and Carrie Rodamaker (Taliesin Preservation)

LR BC Wright Sites 037.jpgMike Lilek of Frank Lloyd Wright’s Burnham Block in Milwaukee.

LR BC Wright Sites 040.jpg“The House,” built in the mid-1950s adjacent to Wingspread, became the home of Mr. and Mrs. H.F. Johnson Jr. before they donated Wingspread itself to the newly-created Johnson Foundation in 1959. It has more space for conferences than the Wright-designed Wingspread. It has been said that Mrs. (Irene Purcell) Johnson was never comfortable in Wingspread because it was designed for another woman…Johnson’s wife who died during construction. National Public Radio, the National Endowment for the Arts, the International Court of Justice – and the Frank Lloyd Wright Building Conservancy – are among the entities that evolved from Johnson Foundation conferences. 

Wright on the Fly

(c) Mark Hertzberg 2017

Some of my favorite Wright photos were shot on the fly this week as I accompanied a Wright adventure sponsored by Road Scholar and the Jewish Community Center of Chicago as their Wright resource person in Racine, Milwaukee, Madison, and Spring Green. I sometimes shoot pictures more deliberately, with an appointment to photograph. This week’s photos were shot on the fly, during group tours. I posted some Wednesday. Here are photos from today. The first two are at Wyoming Valley School, the last two at Taliesin.

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The trip ended this evening. What will my next Wright adventure be?

Spring Green Restaurant – Historic Photos

(c) Mark Hertzberg, 2017, with all photos (c) Robert Hartmann, 2017

Robert Hartmann’s passions when he was growing up included Frank Lloyd Wright’s architecture and photography. The result? Thirty historic photos by him of the construction of Wright’s Spring Green Restaurant, the building now known as the Frank Lloyd Wright Visitor Center. It houses the Taliesin Bookstore and Riverview Terrace Cafe. The building also serves as the starting point for all tours of Taliesin.

Riverview Terrace-Spring Green restaurant-3-.jpgA vintage color photo from winter, 1967, of the recently completed Spring Green Restaurant. Hartmann notes that the original location of the old Wisconsin River bridge abuttment can be seen in the upper left of the photo. The pavilion which is still wrapped in plastic sheets, right, originally served as the sales and marketing office of the Wisconsin River Development Corporation headed by Racine businessman Willard Keland.

The building overlooks the Wisconsin River. Wright first designed an auto showroom, restaurant and home for Glen and Ruth Richardson for the site in 1943. His next proposal for the site, ten years later, was for a bridge-like restaurant. Construction had started when Wright died in 1959. Taliesin Associated Architects completed his design and construction in 1967 as part of a Wisconsin River Development Corporation plan from the late Willard Keland (of Wright’s Keland House in Racine).

Hartmann became interested in Wright’s work when he was just eight years old and saw Wright’s newly completed SC Johnson Research Tower in Racine in 1950. Six years later he borrowed his father’s Argus model C-3 35mm camera (which he notes, he never returned). He was working on his Master’s degree in Environmental Design at the University of Wisconsin in 1967. It was an opportunity for Hartmann to follow the progress of the construction of a Wright design. He thought, “It appeared that Wright’s Broadacre City was actually being built.”

An accomplished photographer, Hartmann often drove the half hour to Spring Green to document the construction in his compact gray Sunbeam Imp. He recalls, “Getting to The Spring Green Restaurant was as rewarding as reaching my destination. Driving west on Highway 14 took me through the wonderful small towns of Cross Plains, Black Earth, Mazomanie, Arena and Spring Green. These were the places that Wright had passed through so many times in his lifetime and have now become immortalized by way of mention in the many books and articles by and about Wright.”Riverview Terrace-Spring Green restaurant-4-1060899.jpgThis summer 1967 photo,with scaffolding still in place, captures The Spring Green restaurant as windows and exterior trim are nearing completion.

Riverview Terrace-Spring Green restaurant-5-5.jpgThis detail view shows the gable roof and original open terrace shortly after Wright’s building was completed. The open terrace on the right was later enclosed and covered with a flat roof by Taliesin Associated Architects, the successor firm to Frank Lloyd Wright.

The young graduate student – he was 25 –  carefully filed his three dozen color and black and white negatives and Polaroid instant photos of the construction, and moved onto a career as an architectural and industrial designer. He opened his own practice in Racine in 1980. The negatives would remain unprinted until this year.

Hartmann never lost his passion for Wright’s work. He is a former board member and past president of Frank Lloyd Wright Wisconsin (Wright in Wisconsin). This past spring Hartmann learned that Erik Flesch, director of development for Taliesin Preservation, Inc., was looking for ways to help celebrate the 50th anniversary of the structure. Turning to the notebook with his negatives, Hartmann told Flesch about his archival photos. They arranged for 24 framed prints of the construction and an early renovation to be exhibited at the visitor center through the end of the year.

Riverview Terrace-Spring Green restaurant-2-22.jpgHartmann is a meticulous craftsman. Although he shot each photo in perhaps 1/125th of a second, he spent an estimated 1200 hours digitizing and making archival ink jet prints for the exhibition. The prints are 11″x14″ matted and framed to 16”x20”.

Spring Green Hartmann Flesch LR.jpgHartmann, left, and Flesch review the installation of Hartmann’s photos.

Lady Bird Johnson, President Lyndon B. Johnson’s wife, attended the dedication on September 22, 1967. A free public celebration of the 50th anniversary of the dedication will be held Friday September 22 be from 5:00 to 7:00 p.m. with limited food service and a cash bar. A centerpiece of the anniversary celebration is the on-going exhibit of Hartmann’s photos which he never printed until this year.

 

Tan-y-Deri Porch Restored

(c) Mark Hertzberg 2017

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Completion of the multi-year comprehensive restoration of Tan-y-Deri was celebrated last Friday with a ribbon-cutting ceremony as a start to Taliesin’s celebration of Frank Lloyd Wright’s 150th birthday. The three organizations charged with maintaining the legacy of Frank Lloyd Wright at Taliesin celebrated their collaboration on this project: Taliesin Preservation, the Frank Lloyd Wright Foundation, and the School of Architecture at Taliesin. The porch, perhaps better referred to as a terrace since it is only accessible from the interior, was the final piece of the project. It has been reconstructed to how it looked between 1939 – 1956. I had an opportunity Saturday to photograph the first floor of the house before the Wright birthday dinner. The Romeo and Juliet Windmill is nearby, and is in some photos. The early evening light, at the end a rainy day, was particularly welcome and lovely that day. We had driven to Taliesin under cloudy skies, and I had been pessimistic about having good light for photos.

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Wright designed the house in 1907 for Jane and Andrew Porter, his sister and brother-in-law, four years before designing Taliesin. The name of the house is Welsh for “under the oaks.” Andrew Porter was then the business manager for the nearby Hillside Home and School, run by Wright’s aunts. Tan-y-Deri 2017 010.jpgTan-y-Deri 2017 017.jpg

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