Wright Through My Lens

All photos © Mark Hertzberg (2021)

I had not been to many Frank Lloyd Wright sites outside of Racine in more than two years until a week ago. I had a gracious lunch invitation from Minerva Montooth for Sunday, and a last-minute photo assignment in Sparta, Wisconsin (west of Spring Green) Saturday, so I overnighted in Spring Green. I have always enjoyed challenging myself to see new things at familiar Wright sites on return visits. These are some of the many fruits of last week’s visit.

I photographed at the famous cantilevered Birdwalk terrace from below:

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I noticed visitors taking pictures above me while photographing the Birdwalk:

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I do not plan my photo visits for a particular time of day / lighting…I shoot what is there when I am there. I explored Taliesin and the grounds of the newly-restored Wyoming Valley School Cultural Arts Center in wonderful evening light Saturday, before dinner with Keiran Murphy and “Mr. Keiran.” I visited both again in Sunday’s morning light. I saw the familiar sign for Taliesin in a different way, thanks to the sharp angle of the morning light:

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The first thing I saw at Taliesin Saturday as I drove onto the grounds was the corn crib, dramatically lit by evening light:

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Sunday morning I saw something different with a long lens as I drove up:

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I used a powerful zoom lens to photograph Romeo and Juliet and Tan-y-deri from a distance both days:

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I continued to explore with the long lens:

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I sat on the floor to photograph through one of the fireplaces inside Taliesin:

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I explored Wright’s office – with its own cantilevered balcony – and the original drafting room:

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I photographed Taliesin itself with long and short lenses:

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Going to Taliesin means also exploring Hillside Theatre and the drafting room. The theatre is currently being restored.

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After photographing the ghost-like seats with the sheets covering them I looked for photos under the seats:

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I also looked up:

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Outside is a view of the theatre and nearby farm:

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Then I went to explore the silent drafting room, first reflected in the theatre’s windows:

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And, Hillside itself:

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I photographed Midway Barn from the road, on my trips between Taliesin and Wyoming Valley School and once from Hillside:

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The last set of photos is of the Wyoming Valley School, now known as the Wyoming Valley School Cultural Arts Center. One of the only upsides of the pandemic is that the restoration of the school was able to proceed without having to work around visitors. Many of the changes are structural and not visible. Perhaps the most visible change is that the bricks inside now approximate their original natural color…the yellow of recent years was painted over with a grayish tone.

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The desks in the classroom today are not original, but I enjoyed photographing them through the mitered glass in the evening light nonetheless. This historic black and white photo shows the original desks.

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Robert Hartmann’s wonderful 1960s black and white photos of Taliesin and the school still hang on the walls. His photos documenting the construction of Riverview Terrace are in the rear of the dining room at the Visitors Center.

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I leave you with a photo of the Marvelous Minerva Montooth and my Taliesin selfie. Technical notes: I do no “post processing” on my photos…I do not sharpen them or increase the color saturation. What I shoot is what I get. I sometimes open the midtones a bit and do a bit of dodging and burning in…nothing that could not be done in a traditional chemical darkroom. I use two camera bodies, one has a DX or crop frame sensor, the other is FX or full frame (equivalent to what would be recorded on a 35mm piece of film). The lenses used are: 14-24mm (used on the FX body); 17-35mm (on the DX body);  a 70-200mm on the FX body, and a 200-500mm, used on both bodies. When the 200-500 is on the DX body, it is approximately the equivalent in 35mm terms of a 350-750mm lens. I thank John Clouse for selling me that lens recently…I had a wonderful time exploring Taliesin and Wyoming Valley School with it!

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Photographing Wright, redux

(c) Mark Hertzberg (2019)

Note: My photos of Minerva and Charles Montooth are the post below this one.

This is the final installment of my 2019 quest to find new photos as I visit buildings designed by Frank Lloyd Wright that are familiar to me. I visited them five times accompanying Road Scholar trips this year:

https://www.roadscholar.org/find-an-adventure/22976/architectural-masterworks-of-frank-lloyd-wright

I have posted earlier photos on the website since May. Have a look, and let me know what you think!!! The photos are in the order in which we visited these sites…not all the sites visited are represented on this post.

Wingspread, Wind Point (Racine):

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Annunciation Greek Orthodox Church in Wauwatosa:

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Jacobs 1, Madison:

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The Unitarian Meeting House, Madison:

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Wyoming Valley School, Spring Green:

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Taliesin 3:

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The original drafting studio at Taliesin:

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Midway Barns:

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Hillside Home and School:

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Michael DiPadova continues reconstruction of the Tea Circle:

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And, finally, my friends, I leave you with two more “selfies,” one at Wingspread and one at Taliesin!

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Wyoming Valley School Artifacts

(c) Mark Hertzberg (2019)

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Saturday June 8, Frank Lloyd Wright’s birthday, started as an ordinary open house day for Mary Pohlman at Wright’s Wyoming Valley School near Taliesin. It was ordinary until a member of the late Paul Buchner’s family came in and presented her with heretofore unknown historic artifacts including a telegram from the architect to Buchner,  a member of the school board when the school opened in January, 1958.

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The late photojournalist Don Nussbaum did a picture story for the Milwaukee Journal when the school opened.

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Wyoming Valley School Timeline: Designed in 1956, Constructed in the fall of 1957, Opened in January of 1958. The school is now the Wyoming Valley School Cultural Arts Center. A link to the website is:

http://wyomingvalleyschool.blogspot.com

Photographing Wright for the Umpteenth Time

Photos and Text (c) Mark Hertzberg (2019)

When I take guests on Frank Lloyd Wright tours for Road Scholar I tell them that one of the joys of Wright’s architecture is the possibility of seeing new things on every visit to places one has been to before. I always take my cameras with me on the Road Scholar tours for that reason and on my fifth tour for them, two weeks ago, I saw new things in buildings I have photographed many times. Alas, I did not find new things at every site we visited.

My first discoveries were at 2734 W. Burnham Street in Milwaukee, an American System-Built duplex being restored by Frank Lloyd Wright’s Burnham Block. The walls have now been stripped off and I saw these things, including the incinerator chute in the kitchen. The first photo is the view from the living room into the kitchen:

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I have photographed the Unitarian Meeting House in Madison many times. This visit I saw these views of the church. I hope to see the new copper roof by the time of my scheduled fall visits:

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I also saw a picture which spoke to the church’s statement of what Unitarianism is about, a collection of May poles amidst a “Black Lives Matter” sign. No matter what one’s beliefs, this is what the church believes, which is why the church exists, which is why there was a building for Frank Lloyd Wright to design:

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I have enjoyed photographing one of Wright’s smaller commissions, the Wyoming Valley School. This is what I saw differently this time:

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At Riverview Terrace (the Visitors Center at Taliesin), I was struck by the colors on a tree in the driveway:

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Then, of course, there was Taliesin. One of the guests asked why there are no art glass windows in the house. Cate Boldt (our superb docent) explained that Wright had no reason to shield the house for privacy and art glass windows would have blocked the views of his beloved land. What did Wright see?

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Windows looking out from the guest room were uncovered in December, 2017:

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The “Hoffman rug” in the living room has been taken out:

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The Romeo and Juliet Windmill and Tanyderi:

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And, then, finally, this was the first time I saw the drafting room at Hillside Home and School without students, which meant I could go into the room and take pictures:

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The tour I accompany for three days for Road Scholar is: https://www.roadscholar.org/find-an-adventure/22976/architectural-masterworks-of-frank-lloyd-wright

 

 

Wright on the Fly

(c) Mark Hertzberg 2017

Some of my favorite Wright photos were shot on the fly this week as I accompanied a Wright adventure sponsored by Road Scholar and the Jewish Community Center of Chicago as their Wright resource person in Racine, Milwaukee, Madison, and Spring Green. I sometimes shoot pictures more deliberately, with an appointment to photograph. This week’s photos were shot on the fly, during group tours. I posted some Wednesday. Here are photos from today. The first two are at Wyoming Valley School, the last two at Taliesin.

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The trip ended this evening. What will my next Wright adventure be?

Photographing Wright

Photos (c) Mark Hertzberg 2017

I have been accompanying a Road Scholar architecture tour in Racine, Milwaukee, Madison, and Spring Green. Below are some photos I’ve shot during the tour, as well as some photos from a shoot at SC Johnson Tuesday:

The ceiling in the entry way of Wyoming Valley School, Spring Green:Wyoming Valley 2 LR.jpg

Classroom window mitre at Wyoming Valley School:Wyoming Valley LR 1.jpg

View of the Wisconsin River from Riverview Terrace Restaurant:

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The Ceiling in the Assembly Room of Hillside Home School, Spring Green:

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Taliesin, Spring Green:

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Unitarian Meeting House, Madison

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Annunciation Greek Orthodox Church, Wauwatosa:

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Wingpsread (H.F. Johnson Jr. Home), Wind Point:

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SC Johnson Administration Building, Racine:

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And, finally, one that did not work out…I needed a photo to illustrate Wright’s use of light in the Great Workroom…I did not want the typical documentary photo. I borrowed a fisheye lens from Nikon. I have given it a trial run with some people via email, and they have given it a thumbs down. I am inclined to agree with them. But I had to try it. Here is what that miss looks like:Skylights 9.5.17.jpg